What sitesgalleries or public spacesare the most effective for staging these performances, and which audiences does one want to reach?
Should one attempt to create public awareness with mass media, in an audience not physically present at a performance? And if so, how?
How does one represent these live performances as subsequent exhibitions in museums and galleries?
How can one encourage the continuing impact of “new genre public art” within a community once the “outsider” artist has left?
Can art lead to substantial social change?
In this work, is there a point of departure from “art” into life?