Local Code: Real States
Este link no lo proporcionó John Bella, del grupo de arquitectos REBAR, de San Francisco cuyo estudio situado en el Mission, en la 20th street con Shotwell ayer visitamos Jon (TXP) y yo.
Lo que más me gusta del link es el concepto de Gordon Matta Clark de SPACE BETWEEN PLACES, esos lugares de la ciudad que han quedado fuera de los mapas oficiales. Trocitos de mundo sin control ni estatal ni privado. Son lugares que están pero son invisibles.
CONSULTAR ESTE PDF PARA SABER MÁS DE FAKE STATES, (bueno no me deja el sistema y no se porqué), os linkeo al lugar donde encontré el pdf, mejor. SE llama ODD LOTS, y es realmente una suerte de memorial del trabajo original donde a estos artitas:
„Odd Lots: Revisiting Gordon Matta-Clark’s Fake Estates„
Cabinet magazine, Queens Museum of Art, and White Columns present
A two-venue exhibition that examines Matta-Clark’s complex and provocative project through his original materials, a series of guided tours, and newly commissioned works.
Artists and tour guides include Francis Alí¿s, Jimbo Blachly, Isidro Blasco, Michael Crewdson, Jaime Davidovich, Mark Dion, Maximilian Goldfarb, Valerie Hegarty, Julia Mandle, Helen Mirra, Margaret Mittelbach, Matthew Northridge, Dennis Oppenheim, Sarah Oppenheimer, Dan Price, Lisa Sigal, Katrin Sigurdardottir, Lytle Shaw, Jane South, Jude Tallichet, Nato Thompson, Mierle Laderman Ukeles, and Clara Williams
White Columns: September 9, 2005 – October 15, 2005
(reception is on September 9, 7-9 pm)
Queens Museum of Art: September 11, 2005 – January 22, 2005
(reception is on September 17, 1-6 pm)
„Odd Lots: Revisiting Gordon Matta-Clark’s Fake Estates“ examines the legacy of Gordon Matta-Clark (1943-1978) through the history of his important project Fake Estates (1973-4). With 19 participating artists ranging from Matta-Clark’s contemporaries to emerging practitioners, „Odd Lots“ seeks to activate the legacy of an „artist’s artist“ whose dovetailing interests in architecture, sculpture, and performance have inspired creative producers in a variety of disciplines. „Odd Lots“ de-emphasizes the image of Matta-Clark as a chainsaw-wielding urban land artist obsessed with the „object to be destroyed.“ Instead, the exhibition underscores aspects of his work that investigate dematerialization, use value, and systems of social organization. The exhibition, with elements at White Columns and Queens Museum of Art, was conceived and curated by Cabinet editors Jeffrey Kastner, Sina Najafi, and Frances Richard.